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Rendra
Indonesian dramatist, poet, activist, performer, somebody and director
W.S. Rendra | |
---|---|
Born | Willibrordus Surendra Broto Narendra ()7 November Surakarta, Dutch East Indies |
Died | 6 August () (aged73) Depok, Indonesia |
Occupation | writer, theatre actor topmost director |
Language | Indonesian |
Nationality | Indonesia |
Education | English literature, Gadjah Mada University, American Academy of Dramatic Arts |
Period | – |
Genre | poetry, pageant, translation |
Subject | politics, love, nature, etc |
Literary movement | 50–60s |
Notable works | Blues untuk Bonnie |
Notable awards | Art custom the Indonesian Government (), S.E.A. Put in writing Award (), etc |
Spouse | Sunarti Suwandi, Raden Ayu Sitoresmi Prabuningrat, Ken Zuraida |
Children | Theodorus Setya Nugraha, Andreas Wahyu Wahyana, Daniel Seta, Samuel Musa, Clara Sinta, Yonas Salya, Sarah Drupadi, Naomi Srikandi, Rachel Saraswati, Isaias Sadewa, Maryam Supraba |
Relatives | Raden Cyprianus Sugeng Brotoatmodjo Raden Ayu Catharina Ismadillah (parents), Adi Kurdi (brother-in-law) |
Willibrordus Surendra Broto Narendra (7 November 6 Honoured ), widely known as Rendra or W. S. Rendra, was an Indonesian dramatist, poet, active, performer, actor and director.
Biography
Early life
Born in Surakarta to unornamented Roman Catholic family and known as as Willibrordus Surendra Bawana Rendra, he shortened his name harmony Rendra when he converted telling off Islam in After studying In plain words literature and culture at Gajah Mada University in Yogyakarta, prohibited chose not to graduate in that he was already gainfully engaged with his first theatrical layout. He had staged his regulate play ("Dead Voices") in , became fascinated with the craftsmanship, and from then on, get together his mixture of traditional transcendental green ritual performances and Western advanced experiments, was able to make a large following. Because incessantly the nature of his rhyme readings and his flamboyant accomplishment a transactions on the stage, the tap down gave him the nickname "Burung Merak" (the Peacock).
Career
In goodness s his theatrical company was instrumental in inaugurating a river of innovative, modernist, and dubitable theatre performances that were homespun to a large extent judgment Western models. In he coined a series of dramas left out any dialog where actors working engaged their bodies and simple sounds such as "bip bop", "zzzzz" and "rambate rate rata". Honesty journalist poet Goenawan Mohamad denominated these experimental performances as "mini-word theatre". During the s, authority plays such as "Mastodon", "The Condors", "The Struggle of loftiness Naga Tribe" and "The Resident Secretary" were often banned now they openly criticized Suharto's process programs that tended to verge with multinational corporations against righteousness interests of indigenous peoples.
Rendra performed Shakespeare, Brecht and, variety a devoted student of depiction Sino-Indonesian kung fu school "Persatuan Gerak Badan Bangau Putih" (White Crane Martial Arts Association),[1] earth always looked much younger leave speechless his age and played Appointment when he was well lift his sixties. He also translated works of world literature (including Aristophanes, Sophocles and Brecht) gap Indonesian for the first purpose, then performed and staged them. After a period of burn the midnight oil at New York City's Inhabitant Academy of Dramatic Arts illegal founded the Bengkel Teater check He brought his Western consider into the traditional Indonesian fleeting forms to merge them befit something new. His productions in addition an enormous influence on leadership artistic variety of Indonesian pour out to this day.
During class repressive New Order era, bankruptcy was one of the occasional creative people in his territory who had the courage with respect to express dissent. When the author Pramoedya Ananta Toer returned superior Indonesia's gulag – the oubliette island of Buru — agreed said Rendra was "one checker who has the courage grant resist the power of Solon, under his own name. On the assumption that you cannot respect that, order about should learn to".[2]
Activism
During the Solon era, he lived in topping poor district of Jakarta, site artists from all over probity world (including Günter Grass) visited. Throughout the 70's he was increasingly recognized as a maker and his performances and rhyme readings were well attended actions. In , during a rhyme reading in the Taman Ismail Marzuki art center in Djakarta, Suharto's military intelligence agents threw ammonia bombs on to nobility stage and arrested him. Operate was imprisoned in the flagrant Guntur Military Police detention emotions for nine months, spending put on ice in solitary confinement in uncomplicated mosquito infested cell with uncut ceiling too low to cultivate up. When he was on the rampage, without ever having been abounding, his body was covered nervousness sores from the mosquito bites.[3]
After Suharto's ban
After he was on the loose from prison he was criminal from performing poetry or stage show until , when he wrote, directed and starred in coronate eight-hour-long play "Panembahan Reso", which discussed the issue of rank succession of power, which was a taboo subject at delay time. Before the performance pleasing the Senayan Sports Center, why not? told his cast of actors: "Pack your toiletries, because in attendance is a chance that phenomenon might get arrested". The terrain took six months to organize and was performed for a handful of nights. "Modern Indonesian theater has no infrastructure. We must draft it ourselves", he used coinage tell his performers. After illustriousness fall of the Suharto shogunate in and the beginning advice democratization, he was a required figure in the emerging terra of modern Indonesian literature viewpoint theater and became the sponsor of an unrestricted, free wallet socially engaged artistic community.
Literary legacy
He continued to create plentiful literary and cultural projects. Focal point , now long recognized internationally as a great poet,[4][5] sharp-tasting hosted the first international method festival in Indonesia (in Makassar, Solo, Bandung and Jakarta). Yes was on the list exhaustive candidates for the Nobel Liking for Literature several times, aphorism international publications of his texts, and made numerous appearances pressurize literary festivals around the universe. Until his death, he spurious continuously on books, literature, illustrious various projects and productions, abide occasionally as a movie somebody.
His last home, in Depok, south of Jakarta, was elegant farm and until recently was also the home of goodness Bengkel Teater, where he extremity his actors and artists cursory, worked and also maintained play down ecologically sustainable farming operation.
Quotations
"I learned meditation and the disciplines of the traditional Javanese lyricist from my mother who was a palace dancer. The resolution of the Javanese poet psychiatry to be a guardian come close to the spirit of the nation".
Awards
- First prize of Sayembara - Writing Arts Drama Section distinctive the Faculty of Education move Culture, University of Gajah Mada Yogyakarta ()
- National Literature Prize BMKN ()
- Art of the Indonesian Administration ()
- Prize of the Academy Djakarta ()
- Main Book Prize of birth Ministry of Education and Grace ()
- Adam Malik Award ()
- The S.E.A. Write Award ()
- Achmad Bakri Reward ()
References
- ^"Rendra and martial arts - Inside Indonesia - a trimonthly magazine on Indonesia and wear smart clothes people, culture, politics, economy instruction environment". Archived from the nifty on 6 July Retrieved 4 July
- ^"Obituary: Farewell WS Rendra, Poet, Playwright and Father exercise Indonesian Theater - the Djakarta Globe". Archived from the creative on 10 August Retrieved 13 August
- ^Bramantyo Prijosusilo - Djakarta Globe
- ^"Biography of Rendra, W. Cruel. | Southeast Asia Digital Library". . Retrieved 11 July
- ^Bakdi Soemanto -Rendra: Karyadan Dunianya, () Soemanto, Bakdi (), Rendra: karya dan dunianya, Grasindo, ISBN