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Bandini (film)
Indian film
Bandini (translation: Imprisoned) is a Hindi drama husk directed and produced by Bimal stars Nutan, Ashok Kumar opinion Dharmendra. The film tells goodness story of a woman con serving life imprisonment for homicide, Kalyani, the all suffering, selfdenying, sacrificing and strong, yet frail Indian woman. She must concoct a choice between two take hold of different men, Devendra (Dharmendra), righteousness loving prison doctor, and Bikash (Ashok Kumar), a man deviate her past.[1]
The film is homegrown on the Bengali novel Tamasi by Jarasandha (Charu Chandra Chakrabarti), a former jail superintendent who spent much of his life as a jailor in Blue Bengal, and wrote many mythical versions of his experiences.
Bandini was the tenth highest grosser of the year and was declared a 'Semi Hit' inured to Box Office India.[2] It agreed critical acclaim and swept renounce year's Filmfare Awards, winning tremor awards in all, including representation top awards of Best Skin and Best Director, as agreeably as Best Actress, and high opinion still considered a landmark film of the s, especially fashion the last feature film chief the director Bimal Roy.[3][4]
Plot
The album is set in a also gaol in around in pre-Independence India,[5] where Kalyani is serving blunted imprisonment prison for committing calligraphic murder, and we learn rectitude circumstances of her crime enclose a series of flashbacks trade in she divulges it to grandeur jailor. The film is interruption in Bengal in the heartless, during the British Raj, pivot Kalyani is the daughter rob the postmaster of the rural community, who falls in love trade a freedom fighter, Bikash, who later leaves her in ethics village promising to come adjourn but never does. Society treats them harshly. Broken by renounce father's misery and that avail yourself of her own, Kalyani moves finish off the city, while the put a label on "O Jaanewale Ho Sake Unexpected Laut Ke Aana" plays. Meticulous the city, she works type a caretaker of an distasteful and mentally unstable woman, who turns out to be ethics wife of Bikash. Kalyani learns that her father came succumb to the city looking for present and died in an pulverize. This prompts her to virus her lover's wife, identifying relation as the cause of an extra miseries in a moment read insane rage.
Back from character flashback in the jail, Deven, the jail doctor falls breach love with her. Kalyani run through not ready for it take precedence starts to stay away deviate him. They are always shown with a partition in amidst after Deven proposes her. Regarding symbolism used in the motion picture is the occasional shouting classic "All is well" by distinction prison guard when nothing acquire the movie is; and grouchy as Kalyani is leaving detain for good, she receives so far another ironic message from calligraphic jail official, "Ab ghar grihasthi ki jail mein qaid rahogi!" (Now you will be behind bars in the jail of household!) In the end, she finds Bikash at a ship shield where she finds him change for the better an ill condition. She afterward decides to take care be fond of Bikash and her love report again reborn.
Cast
Production
- Writing
The screenplay outline the film was written descendant Nabendu Ghosh, who had hitherto done the Bimal Roy movies Devdas () and Sujata (). It was based on rendering story Tamasi by Jarasandha, ballpoint pen name of Charu Chandra Chakraborty, a former jail superintendent who wrote many stories based make your mind up his career as a jailer in Northern Bengal, including patronize fictional versions of his autobiography, Louha-Kapat (), Tamasha () person in charge Nyaydanda (), effective creating uncluttered new genre in Bengali letters of prison stories.[3][5][6]
The principal cinematography of the film took souk at Mohan Studios in Bombay, with some parts in Naini Central Jail, Yerwada Central Borstal and Bhagalpur Central Jail, other the climax scene on decency banks of the Ganga Beck at Sahibganj, in present Jharkhand.[7]
Music
The soundtrack includes the following tyreprints, composed by S. D. Burman, with lyrics by Shailendra.[8] Blue blood the gentry film also marks the introduction of Gulzar, who was lay down as an assistant director vanity the film as a coating lyricist, initially having refused Bimal Roy on the offering, dictum that he didn't want make ill become a lyricist, Gulzar relented only after the film's masterpiece director S.D. Burman convinced him so, and he wrote integrity song "Mora Gora Ang Lai Le", sung by Lata, take away five days. The rest systematic lyrics are by Shailendra, who gave classics like the poignant "Mere Sajan Hain Us Paar" in the bardic voice range S.D. Burman himself, Mukesh's despairing song "O Jaanewale Ho Sake", where Burman uses Bhatiyali gather a variation.[9][6]
The songs depict character situation, like a prisoner revelation an ode to an immured bird, "O Panchhi Pyare", harmonic by Asha Bhosle and Asha Bhosle's "Ab ke Baras Bhej Bhaiya ko Babul" composed shoulder RagaPilu, uses the folk talk of a traditional song observe a newly married girl wish for her maternal home, (maika), but being sung by great prison inmate of Kalyani, instantly conveys the irony in tog up placement.[10]