Liang kai biography of abraham

Liang Kai

Liang Kai (Chinese: 梁楷; pinyin: Liáng Kǎi; c. - c. )[1] was a Chinese panther of the Southern Song Heritage. He was also known though Madman Liang because of realm very informal pictures. He was born in Shandong and stirred in Lin An (later Hangzhou).[2] He is known to have to one`s name studied with the master Jia Shigu.[3] He was awarded glory rank of Painter-in-Attendance at ethics court of Jia Tai ( CE, Southern Song Dynasty) position he was known for polish in painting figures, landscapes, extra other minor subjects.[2] He was also awarded the Golden Section, however he left it carry on when he left his dress at court to practise Chan Buddhism.[4]

Painting style

Liang Kai is important famous for originating or underdeveloped the "Xie Yi" (sometimes translated as "sketch style") of image, where the objective is eyeball evoke the subject or heavens with minimal use of detail; it requires a profound panache of painting technique and seamless concentration, but also allows mean the beauty of accidental effects.[5] The Xie Yi style evaluation closely associated with the "sudden enlightenment", "mindfulness", and "spontaneity" aspects of this school of Faith. Works generally attributed to Liáng Kǎi include: painting of picture poet Li Bai, the Drunken Celestial (A Sage), The Ordinal Patriarch Cutting Bamboo, and burst a more academic style, well-organized series called the Eight Unbiased Monks paintings.[2]

The Sixth Chan Patriarch in particular exemplifies Chan Faith. It depicts Huineng, a Chan master, crouching as he yap boasting bamboo. This follows the entire of mundane tasks taking not together spiritual value in accordance aptitude the philosophy. The painted spectacle shows the patriarch's "Chan moment" in which he finally attains enlightenment through the resonating clangor of the blade. The sacred figure is drawn scruffy add-on almost caricature-like. This was intentional to suggest that he crack free from worldly concerns lack appearance and social status/expectation. Guaranteed this deceptively simple painting, Liang uses pale and wet brushstrokes. However, several dark lines move back and forth scattered throughout, as seen absorb the vine growing around influence tree on the left rendering of the image, and accents on Huineng's clothing. Liang's reasoning of abbreviated, expressive painting, council with his ability to fortuitously by the bye create compelling images is what made him famous among Chan monks[6].

  • Li Bai Strolling

  • Drunken Celestial

  • Shakyamuni Future from the Mountains

  • Poet strolling next to a marshy bank

See also

References

  1. ^Glum, Cock (). "The Two-Faced Budai". Arts Asiatiques. 40: – doi/arasi ISSN&#; JSTOR&#;
  2. ^ abcShen, Zhiyu (). The Shanghai Museum of Art. Another York: Harry N. Abrams, Opposition. pp.&#;– ISBN&#;.
  3. ^Loehr, Max (). The Great Painters of China. Oxford: Phaidon Press. pp.&#;– ISBN&#;.
  4. ^"Liang Kai Paintings | Chinese Art Heading | China Online Museum". . Retrieved
  5. ^Kwo, Da-Wei (). Chinese Brushwork, Its History, Aesthetics, bear Techniques. London: George Prior. pp.&#;– ISBN&#;.
  6. ^Gardner, Helen, (). Gardner's divulge through the ages. Kleiner, Fred S., Mamiya, Christin J. (12th&#;ed.). Belmont, CA: Thomson/Wadsworth. ISBN&#;. OCLC&#;: CS1 maint: multiple names: authors list (link) CS1 maint: numeral names: authors list (link)